Seamus Murphy

Photography/East of the Sun Photography/Caviar Poachers Photography/Desert Train Photography/A Darkness Visible: Afghanistan Photography/Ebola Outbreak Photography/Ethiopia Photography/Featherweight Photography/Gaza Tunnels Photography/Gods Country Photography/Maoists Photography/Maximum City Photography/Mexico Drug War Photography/Mogadishu Photography/Paradise Photography/Pentagon Approved Photography/Royal Ascot Photography/Shambhala Photography/The Swimmers Photography/Providence Contact Photography/England Photography/IRA Veterans Photography/Snake Afghan Womens Poetry Photography/Libya Photography/Sons of Stonecutter Photography/Syria Photography/PJ Harvey Portraits Film/Snake Film/Sons of Stonecutter Street Film/Went the Games Well? Film/Home is Another Place Photography/Books Film/Bagram Bio Photography/The Republic Photography/The Hollow of the Hand Photography/I am the Beggar of the World Film/Let England Shake Film/Hope Six Demolition Project

DarknessVisible011

Minar-e-Jam. Ghor Province June 2003 \n\nA boy uses a pulley system to cross the Hari \nRud River beside the Minar-e-Jam (Minaret of \nJam). It is the second tallest brick tower in the world after Qutub Minar in New Delhi, itself inspired by the Minaret of Jam. Ancient monuments of this type mostly escaped war \ndamage, deterioration from neglect and inexperienced renovations. Plundering of archaeological sites was and remains a disaster. \n \n

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